NOTE: Certain courses and programs require the use and/or handling of hazardous materials or equipment. Students are expected to follow all safety instructions and to take the required safety precautions including, but not limited to, the use of personal protection equipment (PPE) during the course or program to prevent incidences of injury to self or other students.
Psychology
PSY 4730 - Internship: Industrial/Organizational
3 credit hoursSupervised practical experience utilizing psychological principles and tools in an established organization. Pass/Fail.
1 to 3 credit hoursPrerequisites: PSY 3230 and PSY 4110. Supervised practical experience utilizing psychological principles and tools in an established organization.
3 credit hoursPrerequisite: PSY 4240 or consent of instructor. Organization and function of specific brain areas and the behavioral deficits and changes resulting from focal and diffuse brain damage.
3 credit hoursPrerequisite: For students in the Bridgestone program pursuing the Leading Teams certificate. Online course that examines factors contributing to effective work team performance in organizational settings.
3 credit hoursPrerequisite: PSY 1410. A cognitive approach to how people learn and use language to communicate. Covers basic and applied psycholinguistics (including language perception, language production, syntax, semantics, discourse comprehension, and language development).
3 credit hoursPrerequisites: PSY 1410 and PSY 3020 or equivalent statistics course. Focuses on identifying and improving the key health, safety, and well-being issues that employees face.
PR 3360 - Strategic Communication Writing for Public Relations
3 credit hoursPrerequisites: JOUR 2710 and PR 2040. Techniques of creating and writing strategic messages, including the planning and development of components for strategic communication campaigns for corporate, public service, and other persuasive messages.
3 credit hours(Same as JOUR/ADV/VCOM 3520.) Prerequisite: JOUR 3090 or JOUR 3430 or PR 2040. Special topics in journalism, advertising, public relations, and visual communication focusing on practical applications. Topics change each semester and have included investigative, environmental, sports, and political reporting; visual editing; international public relations; and advertising account management. May be repeated up to 6 credits.
1 to 3 credit hoursExamines a specific topic in the field of journalism or media. Topic and available academic credit announced prior to scheduling of the class. May include Study Abroad. Study Abroad fees may apply.
PR 4720 - Crisis Communication in Public Relations
3 credit hoursPrerequisite: PR 2040 or permission of School of Journalism. Examines crisis communication theories, management, strategies, tactics, and cases while developing practical skills useful in crisis situations.
3 credit hoursPrerequisites: JOUR 3660, PR 3360, and PR 3380 or VCOM 2950; junior standing. Researching and planning public relations campaigns. An opportunity for senior-level students to synthesize and apply knowledge and skills from previous courses.
3 credit hoursPrerequisite: Admission based on placement testing or permission of the instructor. Development of reading skills necessary for comprehending academic texts. Customized curriculum in laboratory setting. Does not count for General Education credit. Four instructional hours.
1 credit hourPrerequisite: Must be corequisite with a lower-division course. Enables students to integrate discipline-specific reading and study skills necessary to be successful in a linked lower-division University course. Combines directed projects, small and large group discussion, and assignments tailored to the course with which it is linked.
READ 3340 - Teaching Reading in the Secondary School
3 credit hoursPrerequisite: Admission to teacher education. Materials, methods, and techniques for teaching reading at the secondary level, including clinical laboratory experiences. Designed for teachers of language arts.
6 credit hoursPrerequisite: Admission to teacher education. Introduces various strategies and techniques for teaching reading and writing in the elementary school.
READ 4035 - Language and Literacy in the Middle Grades
6 credit hoursPrerequisites: Admission to teacher education. Introduces various strategies and techniques for teaching and assessing literacy in the middle school.
Prerequisites: Admission to teacher education program; READ 4015 or READ 4035. Diagnostic skills needed to identify specific reading problems found in typical K-8 classrooms and processes needed to resolve the difficulties.
NOTE: Students must select a specific Residency I section and sign up for all corresponding classes in that particular section. Classes may not be selected from multiple sections.
3 credit hoursPrerequisite: Admission to teacher education. Emphasis on the teaching of reading in content subjects, such as mathematics, science, and social studies in upper elementary, middle, and secondary schools. Specific suggestions for activities and lesson strategies included.
3 credit hours(Same as EMC 1020/JOUR 1020.) The power of the mass media and its effect on social institutions and practices. Develops skills of qualitative and quantitative social science research in the area of mass communication processes; examines media as social, cultural, and economic institutions that shape the values of American society, its political dialogues, its social practices, and institutions.
3 credit hoursA variety of music subjects explored within the context of commercial music as related to audio recording and production. Specific topics include music fundamentals, commercial music theory, commercial form and styles, and basic aural and keyboard skills. Students who have passed MUTH 1110 with a grade of C or better may not enroll in RIM 1230 for credit. Laboratory required.
3 credit hoursTraces the development of the technology, business, major record labels, and the music recorded as well as significant individuals in these areas.
3 credit hoursExamines theories and technologies used in audio production for music, radio, TV, and film. Provides the management-oriented student with a useful vocabulary covering the area of audio production and provides the production-oriented student with the basic theory upon which production skills can be built. RIM 3010 is required for all Audio Production students; Music Business and Commercial Songwriting students may choose between RIM 3010 and RIM 3011.
3 credit hoursFor non-Audio Production Recording Industry pre-candidacy students; includes students seeking admission to candidacy in the Music Business and Commercial Songwriting concentrations. Overview of the basic function and application of audio hardware and software used in music creation. Surveys audio technology found in live sound, professional recording studios, and project studios. Required for admission to candidacy to the RI program and offered as an online course. Students must choose between and may receive credit for either RIM 3010 or RIM 3011. Audio Production concentration students will not receive credit for RIM 3011
3 credit hoursPrerequisite: RI majors - admission to Commercial Songwriting concentration and RIM 1230 or MUTH 1110 and RIM 3115 or RIM 3116 with C or better; others - permission of instructor. Helps the new or developing songwriter acquire a song construction toolkit. Focuses on groove, melody, lyric, harmony, and structure and integrates these five elements into a cohesive and commercially viable song. Students expected to play guitar or piano and also sing.
3 credit hoursPrerequisites: RI majors - admission to candidacy; others - permission of instructor. Introduces students to different academic and theoretical approaches to popular music as a social and cultural phenomenon. A discussion oriented class that is both reading and writing intensive.
3 credit hoursDesigned for the beginning to intermediate guitar player. Focuses on scales, chords, rhythm, picking, fingerpicking, music theory, and performance techniques and how to apply these skills to songwriting and performing.
3 credit hoursDesigned for the beginning to intermediate player using a playing-based method. Traditional note reading skills not required or taught. Focuses on chords, harmonic progression, accompaniment, improvisation, music theory, and fundamental musical elements relevant to commercial music and songwriting. May be of interest to guitarist/songwriters who want to learn how to play and write on the keyboard.
3 credit hoursPrerequisite: Admission to candidacy. History and culture of American country music. Explores the historical progression of the genre and analyzes topics such as race and gender relations, material culture, generational conflict, and the role of “authenticity” in the creation and commodification of the music. Reading, writing, and listening intensive.
Prerequisites: Recording Industry majors and Audio Production majors/minors. An overview of digital audio technology with an emphasis on computer technology related to music production, digital audio workstation hardware and software (e.g., Pro Tools), and digital audio theory. Laboratory required.
3 credit hoursPrerequisite: RIM 1230 or MUTH 1110 with C or better. (Not available to students enrolled in or who have completed MUTH 1120.) Continuation of RIM 1230. Furthering the application of musical concepts previously learned to popular music. Topics include syncopation, modulation, two-handed accompaniment patterns, and selected secondary chords. Introduction to music notation software and the preparation of a lead sheet. Laboratory required.
3 credit hoursPrerequisite: RI majors - admission to candidacy. Major executives, producers, and others in the recording industry speak to students about contemporary topics in the music business. May be taken only once for credit toward the major. Pass/Fail.
1 to 3 credit hoursPrerequisites: RI majors - admission to candidacy, approval of instructor prior to enrollment, and approved application. On-campus experiences in and related to the recording industry. Course may be repeated up to three times, but no more than six total credits toward the major allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
3 credit hoursExamination of the industry including, but not limited to, artist development, songwriting, publishing, record companies, record marketing and promotion, copyright, performance rights, and careers.
RIM 3650 - Free Expression, Mass Media, and the American Public
3 credit hours(Same as JOUR 3650/EMC 3650.) A general introduction to the issues surrounding free expression and its relationship to mass media in contemporary America. A comprehensive analysis of the history, philosophies, cases, and controls associated with freedom of expression.
RIM 3690 - International Entertainment Transactions
3 credit hoursPrerequisite: RIM 3600 with C or higher. Introduction to international law (European Union, Asia/Pacific Rim, and Latin America) in the context of the global entertainment and intellectual property industries (music, film, television, books, videogames, etc.). Culminates in presentation of a proposed start-up entertainment entity in a foreign territory. Each student will be able to establish a professional relationship with an entertainment industry liaison in a foreign territory. Offers preparation for students interested in international opportunities for growth including international internships and the Office of International Affairs’ Study Abroad programs.
3 credit hoursPrerequisite: RI majors - admission to candidacy and RIM 3600 with C or better; others RIM 3600. Introduction to the law of copyright, as well as the basic law of contracts, within a lecture setting combined with the interactivity of student in-class argument of appellate opinions rendered in both the areas of U.S. Copyright law and Contract law. Focuses solely on high-level intellectual property disputes related to the entertainment industry, whether regarding argument as to the rightful copyright ownership of parties within the entertainment industry, or as to a contract dispute, e.g. the breach of an entertainment agreement involving artistic content such as a recording or publishing agreement.
3 credit hoursPrerequisite: RI majors - admission to candidacy; others RIM 3600. Examines the role of recording artists’ representatives. Topics include personal appearances, touring, unions, and contractual considerations.
3 credit hoursPrerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Experience in creating publicity materials and developing media relations, press releases, press kits, and publicity campaigns.
3 credit hoursPrerequisites: RI majors - admission to candidacy; others - RIM 3600 and JOUR 2710. Theory and practice of the fundamentals of entertainment journalism, including music industry writing, feature stories, and CD and concert reviews.
3 credit hoursPrerequisites: RI majors - admission to candidacy; others RIM 3600. Cultural, media, business, and legal aspects of making and selling records on a worldwide basis. Specific studies in foreign record company operations, i.e., production, distribution, marketing, promotion, and licensing. Immigration, union, and tax implications of artists recording abroad.
3 credit hoursPrerequisites: RI majors - admission to candidacy and previous or concurrent enrollment in RIM 3700 with C or better; others RIM 3600 and RIM 3700. Operations and functions of music publishing industry including songwriter publisher relations. Primary thrust is popular music publishing, but art, religious, and educational music also discussed.
RIM 4000 - Recording Industry Internship: Business
1 to 6 credit hoursPrerequisites: Admission to candidacy; 90 credit hours completed; RIM 3700 and three of the following sub-core courses must be completed: RIM 3720, RIM 3900, RIM 4320, or RIM 4620; approved internship application. Practical experience for advanced students in a professional recording industry setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, 4000, and RIM 4010. Pass/Fail.
RIM 4005 - Recording Industry Internship: Songwriting
1 to 6 credit hoursPrerequisites: RIM 3020, RIM 3700, and RIM 3900; junior standing (60 hours or more); current enrollment with good standing as a Recording Industry major. Internships for Commercial Songwriting concentration students.
1 to 6 credit hoursPrerequisites: Recording Industry or Audio Production majors only; admission to candidacy; junior standing (60 hours); RIM 4100 and RIM 4330 or RIM 4400 with C or better; and an approved internship application. Training and practical experience for advanced students in a professional audio setting. This course may be repeated for additional credit. No more than six hours toward the major are allowed for RIM 3580, RIM 4000, and RIM 4010. Pass/Fail.
3 credit hoursPrerequisite: RIM 3020 with C or better. The developing songwriter will study how a professional songwriter prepares to write commercial songs targeted to specific markets, artists, media, and events. Will be followed by a study of how students can find their unique voices as songwriter/artists or as pure songwriters.
3 credit hoursPrerequisite: B or higher in RIM 4020. Explores the development of songwriting “voice” through the practice of daily writing and co-writing; lectures from visiting pro/hit songwriters; peer, instructor, and pro guests’ critiques of songs written; and practical/real world scenario assignments. Recording of selected demos will occur in collaboration with Audio Production students and musicians from the American Federation of Musicians. Pass/Fail.
RIM 4030 - Performance Skills for Artists and Songwriters
3 credit hoursExperiential workshop focusing on stage and studio performance skills. Topics include playing with a band or solo, stage presence, studio singing, stage movement, and connecting with an audience.
3 credit hoursPrerequisite: Audio Production or RI majors and admission to candidacy; others - permission of department. A thorough study of sound in acoustic and electronic forms, including wave behavior, transducers, and the design and operation of analog and digital systems for detecting, receiving, measuring, manipulating, transmitting, and reproducing sound.
RIM 4130 - Cyber PR® in the Entertainment Industry
3 credit hoursPrerequisite: Admission to candidacy or permission of instructor. Cyber PR® is the process where social media (with engaged behavior), public relations (outreach and some processes), and online and direct -to-fan (D2F) marketing intersect. Explores the many new and entrepreneurial methods, theories, applications (i.e., Topspin and Next Big Sound) and best practices artists and brands employ to create awareness and make connections to consumers via electronic media. Readings, lectures, guest presentations, and professional group projects and experiences.
RIM 4190 - Introduction to MIDI and Sound Synthesis
3 credit hours(Same as MUTH 4190.) Prerequisites: RI majors - admission to candidacy and MUTH 1110, RIM 1230, RIM 3010, or RIM 3300 with C or better; others - RIM 3010, RIM 1230, or MUTH 1110 or permission of instructor. An introduction to synthesizer programming and the Musical Instrument Digital Interface (MIDI) with emphasis on history, theory, and application. Hands-on activities include synthesizer programming with virtual instruments and MIDI sequencing using a digital audio workstation. Laboratory required.
3 credit hoursPrerequisites: RI majors - admission to candidacy; others - permission of instructor. Theory and application of audio hardware and software for personal desktop music production. For RIM Music Business and Commercial Songwriting majors and Music majors, specifically Music Education majors. Emphasis on application through hands-on instructional techniques. May not be used as a prerequisite for RIM 4200 nor may it be used for credit by RIM Audio Production majors. Satisfies the music production component of the RIM Commercial Songwriting concentration. Laboratory required.
RIM 4230 - Advanced Cyber PR in the Entertainment Industry
3 credit hoursPrerequisite: B or higher in RIM 4130 or permission of instructor. Applies the process where social media (with engaged behavior), public relations (outreach and some processes), and online marketing intersect. Analyzes, designs, and implements an online-social media marketing plan for an entertainment industry client. Uses existing and developing applications (such as Topspin Media’s marketing and sales platform and Next Big Sound’s data analysis and monitoring program) to receive basic training. While the promotion of music and entertainment are the focus, the skills and applications taught are transferable to other industries.
3 credit hours(Same as MUTH 4290). Prerequisites: RI majors - RIM 4190/MUTH 4190 with C or better or permission of instructor. An intermediate electronic music course that introduces the student to alternate digital audio workstations such as Ableton Live and Logic Pro. Using a DAW with virtual instruments and synthesizers, students learn techniques for sequencing tracks for drums, bass, keyboards, guitars and other common sounds used in commercial music production. Laboratory required.
3 credit hoursPrerequisites: Audio Production or RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 3300 with C or better. A detailed examination of digital audio workstation (DAW) techniques used in a variety of production environments. Comprehensive in-depth instruction in the use of Pro Tools hardware and software with emphasis on file management, stereo and multitrack editing, tuning, use of plug-ins, and delivery formats. Lab exercises to develop hands-on competency; hands-on proficiencies to assess abilities. Laboratory required.
3 credit hoursPrerequisites: RI majors - admission to candidacy; others - RIM 3010 and RIM 3600. An in-depth study of the theoretical and practical aspects of presenting contemporary arts and entertainment performances. Topics include talent acquisition, contracts and riders, production, venues, budgeting, ticket services, and promotion.
3 credit hoursPrerequisite: RIM 4320 or permission of instructor. A continuation of RIM 4320. Students create proposals for concert events, critique proposals, select best proposals, and present one or more shows.
3 credit hoursPrerequisite: Audio Production or RI major; admission to candidacy; RIM 4100 with C or better. Current technologies and techniques involved in modern sound reinforcement. Topics include club venue and large concert systems. Field work required.
3 credit hoursPrerequisite: RIM 4330 with C or better. Focuses on the concepts and skills required to design, build, measure, and tune a large-format concert sound system. Topics include acoustic transmission, audio measurement tools and techniques, loudspeaker arrays, acoustic prediction software, coverage of performance venues, and the goals and processes for optimizing the system. Extensive demonstrations and hands-on practice with audio hardware and software provide real-world context for concepts presented in class. Individual participation in discussions and demonstrations expected.
3 credit hoursPrerequisite: RIM 4330 with C or better. Provides a more comprehensive view of sound reinforcement and live entertainment that includes rigging fundamentals, entertainment electricity, and event safety. Lectures, guest presentations, in-class participation, and group projects and experiences.
3 credit hoursPrerequisite: RIM 4330 or permission of department. Reviews RIM 4330 theories and live event skills and competencies. Students will expand audio production skill set, obtain additional live event experience, and develop event safety awareness.
3 credit hoursPrerequisite: RIM 4190 with C or better or permission of instructor. An advanced electronic music course where students taught advanced production and performance techniques using Ableton Live. Topics include pop, hip-hop, and electronic production techniques; producing DJ sets; and designing controller performances. Students will develop skills for live performance using the Push controller. Laboratory required.
3 credit hoursPrerequisites: Audio Production or RI major; admission to candidacy; RIM 3300 and RIM 4100 with C or better and previous or concurrent enrollment in RIM 4440; others - permission of department. Develops understanding of techniques and technology in modern multitrack recording and mixing. Extensive hands-on experience. Laboratory required.
3 credit hoursPrerequisites: Admission to candidacy and RIM 3720 or RIM 4320 with C or better. Covers fundamentals of the talent agency business. Focuses on the talent agency side of the music industry including the role the booking agent plays in the career development and revenue generation of a music artist. Includes readings, lectures, guest presentations, in-class participation, and group projects and experiences.
3 credit hoursPrerequisites: RI majors - admission to candidacy; others - permission of instructor. Ear-training and aesthetics for recording engineers. Class activities involve listening and analysis of master tape and disc formats. Sources include a wide variety of music genres as well as specialized technical ear-training materials. Development of a vocabulary for communication of aural impressions. Introduction to “high-end” audio.
3 credit hoursPrerequisites: RI majors - admission to candidacy and RIM 3300 and RIM 4400; others - permission of instructor. An advanced hands-on approach to the principles and practices of mastering. Focuses on the use of digital audio workstations specially designed for audio mastering and related outboard equipment. Additional focus on surround mastering and DVD authoring. Laboratory required.
3 credit hoursPrerequisite: Audio Production or Recording Industry major; admission to candidacy and RIM 4400. An applications-oriented course focused on the theory and practice of audio systems, methods, workflows, and evolving technologies used in professional broadcast environments, including studio-based and remotely integrated radio and television production.
1 to 3 credit hoursPrerequisite: Permission of department. Topics related to the recording industry in the country in course delivered. May be taken two times.
3 credit hours(Same as ANTH 4550 and MUHL 4550.) Prerequisites: ENGL 1010 and ENGL 1020 with C or higher. An ethnomusicological investigation of how hip-hop reacts to and informs mainstream culture through its primary art forms: music, visual art, and dance. Major themes and issues that cut across hip-hop’s history, including issues of style and performance, gender, race, politics, and religion addressed.
3 credit hoursPrerequisites: Recording Industry and Audio Productions majors - admission to candidacy; others - permission of instructor. Technologies and business practices for the do-it-yourself music recording artist. Topics include creating and self-releasing a recording, independent distribution, and self-promotion. Three-hour lecture.
3 credit hoursPrerequisites: ENGL 1010 and ENGL 1020 with C or better. Examines the creative use of sound in film and theatre through critical listening to various soundtracks. The theory and practice of sound design analyzed and discussed in a lecture-oriented class.
3 credit hoursPrerequisite: RI majors and minors - RIM 3300 with C or higher; others - permission of instructor. Through lecture, demonstration, and hands-on projects, exposes students to approaches, techniques, and considerations when creating sound effects for different visual platforms such as TV, film, game, and Web. Discussions include sound effects: recording, spotting, and layering. Additional topics include sound design aesthetics, sub-categories of sound effects and session requirements. Hands-on class requires assignments to be outside of class. Laboratory required.
3 credit hoursPrerequisites: Audio Production or RI majors - admission to candidacy; RIM 3300 and previous or concurrent enrollment in RIM 4300 or RIM 4400 or previous enrollment in VFP 1080 (all with grade of C). In-depth, interactive study of sound and its relationship to picture. Time code, synchronization, workflow, data interchange, sound recording and editing, ADR, Foley, routing structures, sound mixing, and delivery methods. Demonstrations and lab use digital audio workstations and controllers found in professional facilities. Laboratory required.
3 credit hoursPrerequisite: RIM 4580 or RIM 4300 with C or better or permission of instructor. An in-depth, interactive study of sound mixing approaches for a variety of styles of programming across different media (TV, film, web). In addition to the aesthetic aspects of mixing, discussions will include required deliverables, audio level requirements, sound formats (stereo, surround), synchronization, addressing program timing changes, picture formats, target audience considerations, problem solving, technology, and more. A hands-on class which will require assignments to be completed outside of class (as is the case with most-upper-level studio courses). Laboratory required.
3 credit hours(Same as MUTH 4590.) Prerequisite: RIM 4390 or MUTH 4290/RIM 4290 with C or better or permission of instructor. An advanced electronic music course where students learn advanced techniques with Logic Pro, specifically for scoring music to visual media, such as animations, trailors, documentaries, and film. Topics include the exploration of virtual instruments and MIDI orchestration in order to realize original scores in a variety of moods and styles. Laboratory required.
3 credit hoursPrerequisite: RI majors - RIM 4300 and RIM 4400 with C or better or permission of instructor. Advanced application of mixing techniques in a digital multitrack setting. Additional topics include applied critical listening, automation systems, focus and foundation mixing, and the NARAS guidelines for delivery of recorded music projects.
3 credit hoursPrerequisite: RI majors - admission to candidacy; others RIM 3600. Special emphasis on the particular structures and problems involved in the movement of recordings from manufacturer to the buying public. Topics include product marketing, promotion, and distribution.
3 credit hoursPrerequisites: RI majors - admission to candidacy, RIM 4620 or MKT 3820 with C or better, computer literacy, and permission of instructor. Provides hands-on experiences in research in the recording industry. Involvement in group projects to provide music and consumer research services to various clients in the industry. Workshop oriented.
3 credit hours(Same as MKT 4640.) Prerequisites: RIM 4620 or MKT 3820 or MBAK 6895 with C or better, or permission of instructor. Provides students with an in-depth understanding of the role and importance of branding in the entertainment industry including the development of branding objectives consistent with both produce and overall marketing objectives. Students will learn how to align a brand with consumers and partners which will be demonstrated through the development of marketing plan relating to an approved entertainment product of their choosing.
3 credit hoursPrerequisites: Audio Production and RI majors; admission to candidacy; RIM 1230 or MUTH 1110 and RIM 4400 with C or better. In-depth study of the technology and techniques of contemporary multitrack music recording. Lectures and labs focus on modern recording techniques, the analog and digital audio hardware/software installed in MTSU recording studios, systemic aspects of recording studios, and preparation for professional work in the studio environment. Laboratory required.
3 credit hoursPrerequisites: RI majors - admission to candidacy and RIM 4650 with C or better; others - permission of instructor; concurrent or previous completion of RIM 4300 recommended. Project-based class emphasizing creative and aesthetic aspects of multitrack music recording. Topics include microphone techniques, session protocols, incorporation of MIDI elements, sample replacement and augmentation, rough mixing, console automation techniques, signal processing, and ear-training for recording engineers. Laboratory required.
3 credit hoursPrerequisites: RI majors - admission to candidacy and RIM 4300 or RIM 4650 with C or better; others - permission of instructor. Laboratory experience and lectures in commercial music, recording techniques, and business designed to develop the abilities needed to become an independent producer of contemporary commercial recordings. Laboratory required.
RIM 4690 - Digital Strategies for the Music Business
3 credit hoursPrerequisite: RIM 4620 with C or better or permission of the instructor. Applied theory on promoting the services and products of the music industry via digital channels. Topics include market research, content strategy, creating digital assets, search engine marketing, online advertising, email marketing, mobile marketing, and using data and insights from analytics to optimize digital marketing efforts.
3 credit hoursPrerequisites: RI majors- admission to candidacy and RIM 3700 with C or better; others RIM 3600 and RIM 3700. A highly experiential and entrepreneurial setting requiring significant research and hands-on negotiations outside the classroom. Focuses on each student’s selection and execution of a major Recapture and Negotiation Agreement involving advanced copyright principles of recapture, as well as an extensive negotiation for the inventive and profitable exploitation of those recaptured rights with third party industry colleagues. Hands-on learning process of mastering intellectual property and contract specifics in an entertainment industry setting. Student will have significant personal discretion with respect to chosen content for the recapture and exploitation.
3 credit hoursPrerequisites: RI majors - admission to candidacy and MKT 3820 or RIM 4620 with C or better; others RIM 3600 and MKT 3820. Problems and practices of recording industry retailers, including pricing, inventory control, advertising, operations, and retail locations for audio and video recordings and printed music.
3 credit hoursPrerequisites: RI majors- completion of concentration sub-core. Role and responsibilities of a record company’s artist and repertoire department. Emphasis on finding and guiding an artist as well as the administration of the production and marketing of a project.
RIM 4740 - Independent Contracting: Pro Audio Freelance
3 credit hoursPrerequisites: AP and RI majors - admission to candidacy; others - permission of instructor. An in-depth investigation of the current business practices of independent entertainment professionals with a focus on working in the pro audio industry and independent contracting.
RIM 4800 - Understanding the Nashville Music Business-Past and Future
3 credit hoursPrerequisites: Concurrent with or subsequent to RIM 4000 or RIM 4010 with C or better. Acquaints interns and students working in the Nashville music industry with industry practices through a historic perspective and through conducting a research project.
1 to 3 credit hoursPrerequisite: RI majors - admission to candidacy. Examination and critical evaluation of current issues related to the operation and function of various aspects of the recording industry. Subject matter varies. Course may be repeated one time for additional credit.
3 credit hoursPrerequisites: RI majors - admission to candidacy and RIM 4620 or MKT 3820 with C or better. Day-to-day marketing tasks conducted onsite for a record label offer students training on the practical application of the latest marketing software. Must be able to travel to Music Row and commit to 10 hours per week at a record label.
3 credit hoursPrerequisites: RI majors - admission to candidacy, MATH 1710 or higher level math (MATH 1010 will not fulfill this requirement); RIM 4100 and RIM 4330 or RIM 4400 with C or better; or permission of instructor; others - permission of instructor. Audio electronics theory and practical applications to circuits presented. Topics include fundamental analog audio circuit principles, use of multimeters and oscilloscopes to perform audio measurements, passive cue system construction and trouble shooting, installation practices and techniques to minimize system noise. Students build and test basic amplifier and filter circuits. Laboratory required.
3 credit hoursPrerequisites: RIM 3600 or RIM 3900 with C or better or permission of instructor. Common relationships between music publishers and the community of the music industry as it relates to the licensing and protection of copyrighted materials.
RIM 4900 - Individual Problems in the Recording Industry
1 to 3 credit hoursPrerequisites: RI majors - admission to candidacy, approved application, and permission of department. Advanced project in production or music business. Students submit applications to production and technology or music business faculty committees. Once approved, a determination is made as to credit to be awarded. Project is reviewed by a panel of three faculty members to determine grade. No more than three credits toward the major are allowed.
3 credit hoursPrerequisites: RI or AP majors - admission to candidacy and permission of instructor. Examination, critical evaluation, and practical experience in a focused area of audio production. Subject matter varies. May be repeated one time for additional credit.
3 credit hoursIntroduces the academic study of world religions with an emphasis on the ways religion both influences and is influenced by society and human behavior.
3 credit hoursStudies the historical development of biblical and extra-biblical texts with an emphasis on cultivating the skills of critical textual analysis, an understanding of reception history, and the emergence of diverse canons and interpretive approaches across different communities, both Jewish and Christian.